The Glassblower of Murano
St. Martin’s, May 26 2009, $13.95
In 1681 in the Republic of Venice, glassblowing is the major industry; throughout the continent everyone especially the wealthy demands Venetian glass and mirrors. The Council of Ten controls the city-state’s glassblowing guild to the point they will kill to keep scabs out. The most famous Venetian artist Corradino Manin is forced to sell his secret methods to French King Louis XIV in order to keep his hidden daughter safe though by doing so the cost is his heart and soul.
Centuries later, descendant, Leonora Manin leaves a broken marriage and London having obtained work as a modern day apprentice glassblower in the Venetian suburb Murano. Her boss knows of her connection to the greatest glassblower ever and plans to take advantage of her illustrious ancestry. Jealousy as it did several hundred years ago leaves the British expatriate in trouble with her vocation and with hAlessandro Bardolino; however, as she researches her great ancestor she realizes her troubles are minor envies compared to what Corradino faced from invidious villains.
The descriptions of seventeenth century Venice as a literally backstabbing dangerous place will hook the audience even as the contemporary subplot is exciting and well written. The story line is fast-paced as the two Manin’s three plus centuries apart face some of the seven deadly sins though the difference in how deadly what each confronts is quite startling as his lethal to the body and the soul while hers is more spiritual. Marina Florato provides a strong thriller.