A Midnight Clear
Zebra, Nov 2 2010, $5.99
In December 1908, American artist Troy Davenport lives with his Aunt Agnes when he notices a picture in the gossip column she is reading. It is his muse who he met briefly on the passenger ship Mauritania; he desperately wants to paint Miranda Granger who with her family is staying over Christmas at the luxurious Grandview Hotel during its grand opening gala. Two weeks later at the hotel, Troy and Miranda meet. She refuses to give him money or sex, but he surprises her because all he wants to do is paint her.
Miranda thinks back a decade ago when she loved Paul Sutcliffe. They planned to marry, but her dad offered him money and he took it. He ignored Miranda’s plea in which she told him she was carrying his child; now raised by loving distant cousins. She assumes Troy is a fortune hunter unaware he comes from wealth.
Six months later William remains irate with his middle daughter Gertie for her tryst with Edmund that Miranda intercepted. Gertie blames Miranda for her trouble taking no responsibility for her action and for her father taking them back to Surrey. Troy arrives in her village allegedly to paint the abbey ruins. He pursues his muse again. He owes her the truth, but has to leave for New York to see his dying father. She is not home so he gives a note to Gertie to give to her older half-sister. Her father informs Miranda that Troy came but left as he wanted money not her.
The lead couple is a strong pairing of two people with secrets. The support characters are super by enhancing the Edwardian England era deeply. Although her younger sister is a spoiled brat with no redeeming qualities and some coincidence is needed to cause misconception between the lead couple, this is a strong historical.